FOUR

from $75.00

FOUR

2021

Graeme Lee Main

After

HOPE by Frank Shepard Fairey,

Mannie Garcia and 

Cheeky Charlie by Dick Frizzell

The Poster of Barack Obama called Hope was a powerful image created By Shepard Fairey from a Mannie Garcia Photograph which helped win the election of the US president. 

I wanted to do something similar with a NZ politician and did produce NOPE, but decided I needed something a lot less partisan, so reimagined the famous Four Square supermarket logo Charlie, drawn by Dick Frizzell. Frizzell has a long history of reimagining images, so I hope he approves of my homage. 

I love the story of how Foodstuffs reacted to seeing the 4 Square man for the first time.

"...I got a letter from Foodstuffs New Zealand worrying about their intellectual property being used in this way.”

"I wrote them a letter, which I kind of made up as I went, and it was all about, sometimes images break free of their designated role and float off into a cultural narrative, bigger than their original destination.”

"The boss wrote back, 'ah, that's cool, I like the idea of our guy being famous', and they commissioned me to paint pictures of him.”


Printed in Ink on Ilford Galerie Fine Art Paper.

Frame:
Size:

FOUR

2021

Graeme Lee Main

After

HOPE by Frank Shepard Fairey,

Mannie Garcia and 

Cheeky Charlie by Dick Frizzell

The Poster of Barack Obama called Hope was a powerful image created By Shepard Fairey from a Mannie Garcia Photograph which helped win the election of the US president. 

I wanted to do something similar with a NZ politician and did produce NOPE, but decided I needed something a lot less partisan, so reimagined the famous Four Square supermarket logo Charlie, drawn by Dick Frizzell. Frizzell has a long history of reimagining images, so I hope he approves of my homage. 

I love the story of how Foodstuffs reacted to seeing the 4 Square man for the first time.

"...I got a letter from Foodstuffs New Zealand worrying about their intellectual property being used in this way.”

"I wrote them a letter, which I kind of made up as I went, and it was all about, sometimes images break free of their designated role and float off into a cultural narrative, bigger than their original destination.”

"The boss wrote back, 'ah, that's cool, I like the idea of our guy being famous', and they commissioned me to paint pictures of him.”


Printed in Ink on Ilford Galerie Fine Art Paper.